How Many Songs Does Taylor Swift Have About Breakups?

How many songs does Taylor Swift have about breakups? Taylor Swift The celebrity is such a magnet for consideration; she can occupy the space of Taylor Swift, the craftsman. But Swift was a musician some time recently; she was a star, and she’ll be a lyricist long after she graduates from that racket.

It’s in her music where she’s made her mark on history as an entertainer, record-crafter, guitar legend, and all-around pop engineer, with melodies that can take your breath away or leave you with an awful scar.

She was taking off on the level of the all-time greats some time recently she was ancient sufficient to lease a car, with the sly cunning of a Carole Lord and the rash heart of a Paul Westerberg and she hasn’t precisely moderated down since then.

So with all due regard to Taylor the myth, the symbol, the red-carpet newspaper staple, let’s celebrate the genuine Taylor the lyricist she was born to be. Let’s break it down: all 286 tunes, checked from the foot to the best. The hits, the flops, the profound cuts, and the covers from her crude 2006 make a big appearance, from a high schooler and nation ingenue right up to Midnights and The Life of a Showgirl.

How Many Songs Does Taylor Swift Have About Breakups?

Every fan would compile a diverse list—that’s the excellence of it. She’s got at least 5 or 6 dozen melodies that appear to have a place in her Beat Ten. However, the songs are not ranked by popularity, sales, or perceived fame; instead.

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They reflect Taylor’s artistry as seen through the eyes of a fan who generally does not care about the true subjects of the songs. All those factors depend on whether the melodies resonate with you and me. I assure you are a more captivating human than the Sundown fellow, in spite of the fact that I’m likely not.

Since Taylor cherishes nothing more than causing chaos in our lives she’s re-recording her collections, counting the outtakes she cleared out in the vault some time recently. Notoriety and her make a big appearance are the as it were ones she hasn’t discharged For the Taylor’s Form changes, both forms check as the same tune.

It’s a tribute to her furious imaginative vitality in the past couple a long time she’s discharged an torrential slide of unused music, with more on the way. God offer assistance us all. Sister Tay may be the final genuine shake star on the planet, making brilliant moves or disastrous errors, since that’s what shake stars do.

These are the melodies that entirety up her mind, her compassion, her energy for passionate overabundance, her girls-to-the-front bravado, her encourage to strip each corner of pop history, her assurance to turn any refrain into a silly exhibition. So let’s step back from the picture and pay respect to her one-of-a-kind songbook since the most odd and most intriguing thing around Taylor Swift will continuously be her music.

1: The Lakes (2020)

Let’s confront it: Swift has prepared us to anticipate the startling, but no one speculated she’d crown Old stories with the best tune ever around 19th century Sentimental artists. (As it were competition: Van Morrison’s Summertime in England.

In “The Lakes,” she meanders the Windermere Crests in the strides of William Wordsworth and Samuel Taylor Coleridge. It’s her reply to Wordsworth’s Tintern Abbey,” as she wanders the wide open spaces so she can tune in to “the still pitiful music of humanity.”

As a Wordsworth aficionado, I’m thankful this tune exists (“Peele Castle” Hive, rise!) and Tay ought to keep it going with the lit fan-fic possibly Emily Dickinson or Gertrude Stein next?

2: The Man (2019)

Imagine a timeline where Taylor discharged this as the to begin with single from Notoriety, instep of “Look What You Made Me Do.” It’s secure to say individuals might have gotten the message speedier.

The Man is the most honed women's activist song of devotion she’s composed (so distant). The implicit subtext: If these fellows had to spend a day in her shoes, they’d disintegrate like a saturated chunk of feta cheese.

3: Cowboy Like Me (2020)

Taylor never truly had a thing for ranchers, indeed in her nation days, so it makes sense she’d or maybe be the cattle rustler than rope one for herself. She’s a grifter cheating her sugar daddies, until she falls for a individual con craftsman.

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But they don’t know if they can allow up the thrills of the chase the same ancient predicament of you adore the players and you cherish the game. Aaron Dessner’s guitar includes the right touch of country-rock. I’m holding up by the phone like I’m in an airplane terminal bar is one of the best old-media jokes on an collection that too has centerfolds and VHS tapes.

4: Wildest Dreams (2014)

You rang, Goth Taylor? At to begin with this might have appeared like a minor delight on 1989, but it truly sounds more grounded and more grounded over the a long time, particularly when she hiccups the words my final ask ih-is. The video highlights giraffes and zebras.

5: Anti-Hero (2022)

Taylor ought to start more tunes with the line I have this thing where right? She has Parts of this thing. Anti-Hero addresses her open persona, in the convention of Taylor Lead Singles, as contradicted to her private or inventive life, with self-deprecating jests in each verse, and the sing-along refrain: It’s me! Howdy! I’m the issue, it’s me!

6: LOML’ (2024)

The calm heartbreaker on Tormented Artists, a piano anthem that hits domestic since it comes on so conventional and unmelodramatic. Swift and Dessner don’t go for any firecrackers here, fair grieving a adore that ought to have kept going a long time, with that “Evermore”-style piano. It crests in the quieted minute where she gives the flawlessly straightforward tribute: It was legendary/It was momentary.

7: Daylight (2019)

The finale of Significant other, and a enthusiastic spin-off to “Clean.” Daylight takes off in the last diminutive when she gives a soliloquy that sounds like one of those 2 a.m. voice memos you disregard around until you discover them on your phone weeks afterward. I wanna be characterized by the things I cherish, not the things I’m perplexed of” it’s an assertion to accept in.

8: Mine (2010)

You made a revolt of a careless man’s cautious daughter” is one of those snares where she appears to pack a entirety life story into one line.

9: You’re On Your Possess, Kid (2022)

A Modern Order-like synth-pop story of young segregation: another high school young lady from a no man's land of a domestic town, envisioning of getting out or running absent, but utilizing music and craftsmanship and composing to make her claim daydream world.

10: Dress (2017)

Swift is no stranger to getting emo over her dresses, but this time it’s distinctive: I As it were bought this dress so you might take it off.” Her most carnal moderate stick is moreover one of her saddest – the hurt in her voice, the longing in those synth shines. There’s something so “Little Ruddy Corvette” in the way she hinders her possess pleasantry with miserable moans. As for that brilliant tattoo – hold on, we’re going home.

11: Mastermind (2022)

The flip side of “Enchanted”: in this story Taylor is the chess ace of adore, plotting out each move in development until her prey falls right into her consistent trap. Cherish how she says, Checkmate! I couldn’t lose.

Since Taylor as of late uncovered that the last scene of her “All As well Well” brief film was motivated by Barbara Stanwyck in Stella Dallas, “Mastermind” might be Stanwyck in The Woman Eve, as the grifter conspiring to crush Henry Fonda’s life. (The Swift/Stanwyck associations go so profound.)

12: Happiness (2020)

The saddest tune on her saddest collection so what else would she call it but “Happiness”? Taylor’s deep rooted sentiment with The Awesome Gatsby pays off here, when she cites Daisy Buchanan and sings, I trust she’ll be a lovely fool. And I haven’t met the unused me yet” is a strong line from a musician who’s collected so numerous Unused Mes over the a long time.

She too sings around the dress I wore at midnight wagered that’s the same party dress she’s wearing in The Minute I Knew, a tune around getting stood up on her 21st birthday. Taylor discharged this precisely ten a long time after that night, fair in time for her 31st birthday. The lesson, as continuously: she plans everything.

13: Ronan (2012)

A little-known charity single for cancer inquire about, not at all like anything else in her songbook. She composed this approximately Ronan Thompson, a four-year-old Arizona boy who passed on of neuroblastoma, after she perused his mom’s web journal.

She turned the web journal posts into an persuasive anthem (crediting Maya Thompson as co-writer) and performed “Ronan” at the Stand Up to Cancer advantage. You might anticipate it to be manipulative and self-evident; it isn’t. It’s significant of the kind of account she might keep doing for decades to come an early run for her Old stories and Evermore character considers. She sings it with indeed more soul on Ruddy (Taylor’s Version).

14: Mean (2010)

A banjo-core Tay-visceration of individuals who are cruel, liars, lamentable, and/or alone in life, counting the ones who live in huge ancient cities. Continuously a live highlight on her early visits, exhibiting her murderers’ push of a band, the Organization.

15: I Knew You Were Trouble (2012)

It pummels like a misplaced Blondie hit, from some place between Parallel Lines and Eat to the Beat. The way she sings the word “drown-i-i-i-ing” alone makes it.

16: Actually Romantic’ (2025)

Taylor enters her Young Dirtbag Time with the Nineties good-for-nothing guitars of Actually Romantic. It sounds like Weezer and Wheatus assembly up with the Sprites to go swimming in the Caribbean. In this post, I am talking about the what percentage of Taylor swift songs are about breakups?

Actually Romantic” sounds like a secret for the full-blast shake collection Taylor keeps us holding up for. Charli XCX must be glad to have motivated Tay’s most amusing, brattiest, slightest self-righteous dis track ever, with her most express sex AND drugs conversation.

But they’re both showgirls who’ve been stars until the end of time, so don’t be astounded when they work it out on the remix. A adore letter to some person who abhors you, Taylor calls it in the release-party motion picture. In my industry, consideration is affection. Showgirl, it’s so befuddling now and then to be a showgirl.

17: This Love (2014)

A reflective 1989 nocturne half acoustic reflection, half electro dream – as she genuflects in the midnight hour. Lucy Dacus cleverly collapsed this into Boygenius’ “We’re In Love” not the final time on this list Lucy will come up.

18: Sweet Nothing (2022)

It’s a long street through pop history from 1950s high schooler nation star Brenda Lee chirping “Sweet Nothin’s” to the Velvet Underground chronicling street-punk existential lose hope in “Oh! Sweet Nuthin’. But Taylor interfaces all the dabs along the way.

Sweet Nothing is her representation of residential rapture. Cherish the minute where she composes a lyric on the way domestic and he wonders, What a mind. Like so numerous of her finest cherish melodies, it’s around finding the strength to halt stowing away behind diversions, and letting yourself be seen.

19: Safe and Sound With the Civil Wars (2012)

This covered up gem took on a entire modern gloss after it got to be her outline for Legends and Evermore. Safe and Sound wanders into rootsy folkie region, on the Starvation Recreations soundtrack. What percentage of Taylor swift songs are about breakups?

She investigates hole in her voice she’d never opened up some time recently, joining up with the Gracious Wars and maker T-Bone Burnett. The Swift-Burnett association raises the address of how long it’ll take her to collaborate with Elvis Costello, a lyricist with whom she offers a few captivating affinities. At the exceptionally slightest, Tay ought to cover New Bind Sleeves.

20: Sparks Fly (2010)

Drop everything presently! Meet me in the pouring rain! Gracious this young lady cherishes her precipitation scenes, but “Sparks Fly” truly brings the thunder. It appears off her mysterious control to make a minute sound gauchely private and messily open at the same time. (Waxahachie has another fabulous tune called “Sparks Fly” no connection.

21: The Manuscript (2024)

A contemplative piano number at the conclusion of The Collection, celebrating the kind of curious youthful sentimental Swift can never halt singing around. This courageous woman re-reads the story of her life, considering her “torrid affair” with a charismatic more seasoned man, pondering if she was the toxophilite or the prey.

As she sing, He said since she was so astute past her a long time / Everything had been above-board / She wasn’t sure. But she’s the creator of this composition, telling her possess life story as she goes along.

22: Tim McGraw (2006)

We knew she was inconvenience when she strolled in or at slightest we ought to have speculated from her make a big appearance single. You couldn’t make this up a brazen tall school kid appears up with a nation anthem she whipped together after math course one day, almost moderate moving in the moonlight to the pickup truck radio: When you think Tim McGraw/I trust you think of me. Inside a couple of a long time, she’s an indeed greater star than McGraw is.

23: Call It What You Want (2017)

Always here for the Taylor castle allegories. The hottest Rep electro-ballad, almost how intriguing it feels to donate up stressing almost judgy outsiders and begin living a damn life. Call It What You Want celebrates a develop relationship the kind where you turn off your phone for hours at a time and drag down the shades and chance letting yourself get a small known.

24: Now That We Don’t Talk (2023)

After a long time of marveling at the extraordinary 1989 reward tracks that didn’t make the collection, it’s startling to listen these strongly vault tunes that didn’t indeed make the cut as rewards. But if Taylor combined the 1989 bonus/vault loosies into a 10-song collection of their possess, it would include up to 1989’s nastier, cattier, more amusing fiendish sister.

Now That We Don’t Talk appears off her acidic mind, particularly her staccato vocals when she kills “it fair ended” one negligible syllable at a time. Clever to listen her drag “acid rock. Destitute Taylor—one miniature you’re on a decent blameless yacht ride, another you’re caught tuning in to Jefferson Plane and Mercury Courier Benefit bootlegs.

25: Hits Different (2022)

The reward track from Midnights is a breezy flight from the rest of the collection, with sun-kissed California shake guitar and fiercely clever lines around why Taylor is your extreme Contentious Contradictory Dream Young lady.

Hits Different sounds like it may be Betty or James a couple a long time down the line, after one of them skips town like an asshole ban. I never don’t cry at the bar feels like the truth. But I don’t require another metaphor” is the most clever lie in the tune, since Taylor adores heaping up representations indeed more than she adores crying in bars.

26: Fortnight,’ feat. Post Malone (2024)

I adore you, it’s demolishing my life” may be the title of her collection of memoirs. “Fortnight” begins off Tormented Writers with reflexive synth-pop, with Post Malone chiming in with thoughtful back-up vocals.

Taylor returns to the 1950s bad-marriage subject of Old stories, Evermore, and Midnights, in a rural environment of cheating spouses and well-behaved housewives on the skirt of anxious breakdowns.

27: I Can Do It With a Broken Heart (2024)

Lights, camera, bitch smile! The as it were time Taylor goes for a dance-floor synth-disco banger on The Tormented Writers Office. It’s the flip side of Mirrorball where she’s a super trooper stowing away her tears from the gathering of people since the appear must go on.

Jack Antonoff soups it up into an express tribute to Vince Clarke, the synth-pop wizard of Depeche Mode, Yaz, and Eradication. As Antonoff once said, Modern pop music ought to fair type in Vince a check for like a billion dollars for tearing him off all day long.